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Film · Photography · Music

the artistic disciplines

the same pulse: find what is already present, and make it impossible to ignore

Composing influence

Two decades, two continents

Moghul Veyron's career in film scoring and music production spans two decades and two continents, from London recording studios to Hollywood sound stages. His credits include distinct film and documentary projects.

The Me You
Can't See
Emmy nominated · Apple TV+
Oprah Winfrey & Prince Harry
City of Lies
Johnny Depp & Forest Whitaker
Score with Joe Perry of Aerosmith
The Infiltrator
Bryan Cranston & Diane Kruger
BBC London BBC Radio Rising Talent Award
Virgin Virgin EMI Artist Development
The New York Times Produced Author for New York Times Bestseller
Seeing · Perfectly Mundane

The unseen narratives

The most valuable insights are often the ones we overlook. We live in a world defined by imagery, yet very few of us are ever taught how to truly see a photograph. We're taught how to take them, how to style them, how to perform for them, but not how to truly read them.

Working with Leica film cameras, Moghul's analogue practice is a search for the quiet truths hidden within everyday moments, what he calls Perfectly Mundane. Each image is a deliberate act of attention, drawing the eye toward what is present but overlooked, and asking the viewer to slow down before the mind draws its conclusions. Perception becomes a practice. His work has been featured by both Leica and Kodak.

Perfectly Mundane photograph Perfectly Mundane photograph Perfectly Mundane photograph Perfectly Mundane photograph Perfectly Mundane photograph Perfectly Mundane photograph

Sit with them, notice what surfaces. What you see may tell you more than you expect.

Hearing · The Root Note

There is no such thing
as a wrong note

I taught myself how to play piano at 17, although my love for the piano began ten years earlier, when I first saw one at my cousin's home. At the time I wasn't allowed to touch it, and my mother ironically told me "you can't play with that." I remember the feeling of connection that I couldn't yet unlock, and the wonder of a question I could not answer.

“Don't search for the answers, which could not be given to you now, because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answer.”

Rainer Maria Rilke

Today I find myself on a similar pursuit, discovering the next note in the form of jazz improv. Improv teaches you to trust that the years of experience and practice live in your body, and by passing the logical mind, the music flows further into the unknown, pleasantly taking you a little further than your perspective in that moment.

I took the lessons of jazz improv all the way to Hollywood. It taught me that the answer was already in me, even when I couldn't yet articulate it. That trust, the same trust I found at a youth centre Yamaha in London, is the one I bring to every room I walk into.

Esoteric, the improv EP by Moghul Veyron
Press play

Esoteric

An improv EP played purely from emotion, with no one in mind apart from what was felt. No tempo, no mandate. An emotional diary, recorded as it surfaced.

Listen to Esoteric

Across film, music, photography, and the keynote stage, the work points toward a single aim: to create experiences that slow people down, sharpen their attention, and return them to a richer relationship with their own perception.

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